oeuvres d&
![[JARRY, Alfred (1873-1907) et Remy de GOURMONT (1858-1915), éd.]](/assets/image/picture_3807179/d1bb2/9f8a9c9f9f96b44499182a8f6613e35b1710234000jpg__fix_374_244.jpeg)
![[JARRY, Alfred (1873-1907) et Remy de GOURMONT (1858-1915), éd.]](https://veryimportantlot.com/assets/image/picture_3807179/d1bb2/9f8a9c9f9f96b44499182a8f6613e35b1710234000jpg__fix_374_244.jpeg)
Paul Gauguin, a French artist born in Paris in 1848, is renowned for his significant contributions to Post-Impressionism, Primitivism, and Synthetism. Gauguin's art is distinguished by his experimental use of color and style, which set him apart from the traditional Impressionist movement.
Gauguin's early life was marked by a period in Peru, which influenced his artistic perspective. Initially, he pursued a career in stockbroking but soon turned to art, driven by financial necessity and a growing passion. His artistic journey began under the mentorship of Impressionist artist Camille Pissarro and through exposure to the works of other avant-garde artists.
The hallmark of Gauguin's work is his exploration of non-Western cultures, particularly during his time in Tahiti and the Marquesas Islands. This period saw the creation of some of his most famous works, including "Where Do We Come From? What Are We? Where Are We Going?" His paintings from this era, characterized by vivid colors and Symbolist themes, reflect a fusion of cultural influences and his quest for a "primitive" expression of spiritual and emotional states.
Despite his innovative style, Gauguin struggled with financial difficulties and health issues throughout his life. His work received little recognition during his lifetime, but posthumously, he gained acclaim for influencing modern artists like Pablo Picasso and Henri Matisse.
Today, Gauguin's works are celebrated in galleries and museums worldwide for their unique blend of cultural influences and artistic innovation. His enduring legacy is a testament to his unique vision and the profound impact he had on the art world.
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Jules Barbey d'Aurevilly, born Jules Amédée Barbey d'Aurevilly, was a French writer, critic and essayist.
After studying law at the University of Caen, d'Aurevilly gained popularity in 1852 as a literary critic for the Bonapartist newspaper Le Pays, which was influential among the decadents of the late 19th century.
In literature, d'Aurevillys specialized in tales of macabre mysteries that explored ulterior motives and hints of evil, but without the supernatural. He was a decisive influence on writers such as Auguste Villiers de l'Isle-Adam, Henry James, and Marcel Proust.
Désiré Thomassin was an Austrian painter and composer.
Amédée Ozenfant was a French painter and art theorist. He was a prominent figure in the development of the purist movement, which was characterised by the use of geometric shapes, bright colours and simplified forms and was conceived as a response to the chaos and disorder of modern society.
Amede Ozanfan wrote extensively about the principles of purism and the role of art in modern society. In his book The Foundations of Modern Art, co-written with Le Corbusier, Ozanfan argued that art should be based on rational principles and serve social purposes.
Ozanthan's work had a significant influence on the development of modern art, and his ideas continue to be studied and discussed by art historians and theorists.
Narcisse Virgilio Díaz de la Peña was a French painter of the Barbizon school.
Díaz exhibited many pictures at the Paris Salon, and was decorated in 1851 with the rank of Chevalier (Knight) of the Légion d’honneur.
Désiré Thomassin was an Austrian painter and composer.
Paul Bonet, birth name Paul Joseph Ghislain Bonet, is a French bookbinder and bookbinding designer, Knight of the Legion of Honor.
Trained to make fashionable wooden mannequins, Paul Bonet worked in the fashion industry for several years and did not turn to bookbinding until 1920. His bright, colorful designs and prolific work made him famous. His first bindings were exhibited in 1925 at the Gallière Museum, then at the French Book Arts Exhibition, the Salon d'Automne and the Salon des Artistes Décoratifs, and his talent was recognized.
His decoration was particularly innovative. One of the great masters of French bookbinding, Paul Bonet became famous in the 1930s and 1940s for one of his signature patterns, "sunbeams." These patterns consist of many small lines with gold trim, carefully planned and giving the optical illusion of spatial depth.
Michelangelo di Lodovico Buonarroti Simoni, known simply as Michelangelo, was an Italian sculptor, painter, architect, and poet who played a significant role in the High Renaissance period. Born on March 6, 1475, in Caprese, Italy, Michelangelo's works are a testament to his mastery in various artistic realms, defining him as a quintessential Renaissance man.
Michelangelo's fame began early in his career, most notably with his sculptures "Pietà" (1499) and "David" (1501), both completed before he turned thirty. Despite his self-perception primarily as a sculptor, Michelangelo made an indelible mark in painting, particularly with the frescoes in the Sistine Chapel. These works include the scenes from Genesis on the chapel's ceiling and "The Last Judgment" on its altar wall, showcasing his innovative use of physical realism and psychological tension.
Among his most famous works, the "David" statue, now housed in the Accademia Gallery in Florence, and the "Pietà," located in St. Peter's Basilica, stand out for their intricate detail and emotional depth. Michelangelo's ability to imbue life into marble and his thoughtful consideration of light and shadow in painting were revolutionary. His techniques in fresco painting, such as the buon fresco method used in the Sistine Chapel, where he painted on wet plaster, were groundbreaking for their time.
Despite his temperamental nature, Michelangelo was deeply religious and dedicated to his art, often eschewing the use of assistants. His works were not only recognized and admired in Italy but also attracted attention from abroad, including the Ottoman Empire. Michelangelo's influence extended beyond his lifetime, significantly impacting the development of Mannerism and the Baroque style.
For art collectors and experts, Michelangelo's works remain a pinnacle of artistic achievement. His ability to blend realism with expressive physicality in both sculpture and painting set new standards in art. His works in major museums and galleries worldwide continue to inspire and awe viewers, reflecting the enduring legacy of his genius.
For those interested in the world of art and antiques, staying informed about Michelangelo's works and their influence on modern art is essential. To receive updates on new product sales and auction events related to Michelangelo, sign up for our newsletter. This subscription is an excellent opportunity for enthusiasts and experts alike to stay connected with the ongoing legacy of one of history's greatest artists.
![DU BELLAY, Joachim (1522-1560). Discours au Roy sur la Trefve de l’an M.D.L.V. par Ioach. De Bellay ang. Paris : Fédéric Morel, 1558 [avec] Les regrets et autres oeuvres poétiques de Ioach. Du Bellay, ang. Paris : Federic Morel, 1559 [avec]](/assets/image/picture_1320885/ced84/517997dafc30394d20e258da9502c6731616454000jpg__fix_374_244.jpeg)
![DU BELLAY, Joachim (1522-1560). Discours au Roy sur la Trefve de l’an M.D.L.V. par Ioach. De Bellay ang. Paris : Fédéric Morel, 1558 [avec] Les regrets et autres oeuvres poétiques de Ioach. Du Bellay, ang. Paris : Federic Morel, 1559 [avec]](https://veryimportantlot.com/assets/image/picture_1320885/ced84/517997dafc30394d20e258da9502c6731616454000jpg__fix_374_244.jpeg)
![[PASQUIER, Étienne (1529-1615)]. La Main ou OEuvres poétiques faits sur la Main de Estienne Pasquier, Advocat au Parlement de Paris. Paris : Michel Gadouleau, 1584.](/assets/image/picture_1321011/12f17/4e5a4ee6f2802a1e1adddce24f5bd5ca1616454000jpg__fix_374_244.jpeg)
![[PASQUIER, Étienne (1529-1615)]. La Main ou OEuvres poétiques faits sur la Main de Estienne Pasquier, Advocat au Parlement de Paris. Paris : Michel Gadouleau, 1584.](https://veryimportantlot.com/assets/image/picture_1321011/12f17/4e5a4ee6f2802a1e1adddce24f5bd5ca1616454000jpg__fix_374_244.jpeg)
![[RECUEIL VAUQUELIN]. DU BELLAY, Joachim (1522-1560). Poematum Libri quatuor. Quibus continentur, Elegiae, Varia Epigr. Amores, Tumuli. [suivi de] Divers jeux rustiques, et autres oeuvres poetiques. Paris: F. Morel, 1558. [suivi de] RONSARD, Pierre de (152](/assets/image/picture_1320827/b7703/f1fe702dbb58c20f189d3686c883aec61616454000jpg__fix_374_244.jpeg)
![[RECUEIL VAUQUELIN]. DU BELLAY, Joachim (1522-1560). Poematum Libri quatuor. Quibus continentur, Elegiae, Varia Epigr. Amores, Tumuli. [suivi de] Divers jeux rustiques, et autres oeuvres poetiques. Paris: F. Morel, 1558. [suivi de] RONSARD, Pierre de (152](https://veryimportantlot.com/assets/image/picture_1320827/b7703/f1fe702dbb58c20f189d3686c883aec61616454000jpg__fix_374_244.jpeg)
